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  • Writer: Jazz Attack
    Jazz Attack
  • Jan 30, 2024
  • 2 min read

John Cornelius "Johnny" Hodges was born July 25, 1907 in Cambridge, Massachusetts, to John H. Hodges and Katie Swan Hodges. While known as a saxophone player, Hodges began as a self-taught pianist and drummer. His professional career began when he was a teen, playing piano at dances in private homes for $8 an evening. At the age of 14, his sister introduced him to Sidney Bechet, revered American saxophonist and clarinetist, who began giving Hodges private lessons. Hodges honed his skills and became well-known in Boston before moving to New York City in 1924.



In New York, Hodges began playing with many of the greats. He was in bands led by legends such as Lloyd Scott, Chick Webb, Bobby Sawyer, and Luckey Roberts. The band he is most closely associated with though, he joined in 1928: Duke Ellington’s Orchestra. Hodges was a pivotal part of Duke’s band, not only as an alto sax soloist but as a co-writer on several of Ellington’s records. He toured with Ellington’s band in Europe in the 1930s. In the late 30s and early 40s, he recorded many well-known songs with the group such as In a Sentimental Mood, Things Ain’t What They Used to Be and The Jeep Is Jumpin’  (Jeep was one of Hodge’s nicknames). In New York, Hodges also met his first wife Bertha Pettiford and had his son, John C. Hodges II. In 1944, Hodges was re-married to Edith Cue, a dancer in the Cotton Club chorus. They had a daughter, Lorna Lee.


In 1951, Hodges left Duke Ellington’s Orchestra to create his own small group: Johnny Hodges and His Orchestra. Many greats played in his band such as Lawrence Brown, Sonny Greer, and John Coltrane. One of the group’s most well-received records was Castle Rock, the title track was a hit song. In 1955, Hodges rejoined Ellington’s group but continued to record and perform under his own name as well. He recorded several joint albums with Ellington such as Duke Ellington And Johnny Hodges Play The Blues – Back To Back and Duke Ellington And Johnny Hodges Side by Side. He continued to work with greats such as Frank Sinatra, Wild Bill Davis, and Ben Webster. 



In 1970, Johnny Hodges performed at the Imperial Room in Toronto. Less than a week later, on May 11, 1970, he died of a heart attack while visiting the office of a dental surgeon. At Hodges’ funeral, Duke Ellington was quoted saying "Never the world's most highly animated showman or greatest stage personality, but a tone so beautiful it sometimes brought tears to the eyes—this was Johnny Hodges. This is Johnny Hodges." Hodge’s melodies were distinct and integral to the sound he brought to Ellington’s band and his own groups. His technique and harmonic sense were unmatched and kept his solos sounding contemporary, no matter where or when he was playing.



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  • Writer: Jazz Attack
    Jazz Attack
  • Jan 30, 2024
  • 2 min read

Edward Kennedy "Duke" Ellington was born April 29, 1899 in Washington, DC. His parents encouraged his love of music with his mother teaching him how to play piano. His nickname “Duke” came from his childhood friends, specifically Edgar McEntee, who were impressed by his suave outfits and noble manners. Duke composed his first song, Soda Fountain Rag, at the age of 15 and began playing professionally at 17. In 1918, Duke married his high school sweetheart Edna Thompson and they soon had their son and future bandleader, Mercer Kennedy Ellington.



Duke was part of a band in Washington, but in 1923 he moved to New York and began leading his own group, the Washingtonians. The band started as a sextet but quickly grew into a 10-piece band. The group regularly consisted of other jazz legends such as Johnny Hodges and Cootie Williams. In 1927, after gaining a fanbase, the Washingtonians were hired as a regular house band at the Cotton Club. This meant Duke’s band now had regular radio broadcasts and recordings, gaining him much more notoriety. He was also able to expand the band to a 14-piece. In 1931, Ellington wrote one of his greatest hits, It Don't Mean a Thing if It Ain't Got That Swing.



In 1933, In Duke’s band began touring in Europe where he clashed with the traditional idea of a unified big band sound and instead focused on his soloist’s individual strengths. Allowing them to play against each other and have extended solos. 

When talking about Duke Ellington, it’s impossible not to include Billy Strayhorn, who was an arranger, composer, and pianist and worked extensively with Ellington. Strayhorn composed some of his most popular songs, such as Take The A Train in 1939. In the late 1930s and 1940s, Ellington wrote many of his other most well known songs such as Don’t Get Around Much Any More, In a Mellow Tone, and I’m Beginning To See The Light.

Though the popularity of big band music began to wane after World War II, Ellington continued to write and perform. He also began exploring the idea of composing classical jazz. He composed several suites in the 40s and 50s such as Black, Brown and Beige, Liberian Suite, and even a reorchestrated version of the Nutcracker Suite. He wrote for ballets, theater, and television. He was known for his sense of musical drama and compositions that were full of complex rhythms and melodies, but still accessible to all listeners. Ellington was nominated for 22 grammy awards and won 11. He was awarded the Recording Academy Lifetime Achievement Award in 1966 and the Trustees Award, along with Billy Strayhorn, in 1968. Mood Indigo was inducted to the Grammy Hall of Fame in 1975. Duke was awarded the Presidential Medal of Freedom in 1969.


Duke Ellington died of lung cancer on May 24, 1974. His last words were, "Music is how I live, why I live and how I will be remembered." Duke’s career spanned over half a century. Countless songs of his are now considered jazz standards. He not only changed the format of jazz, but built a foundation on which all American music could grow.


Sources/Further Reading:


 
 
 
  • Writer: Jazz Attack
    Jazz Attack
  • Jan 29, 2024
  • 2 min read

William J. “Count” Basie was born in Red Bank, New Jersey on August 21, 1904. His song The Kid from Red Bank is a nod to these roots. His mother, Lillian Childs Basie, paid 25 cents a lesson to ensure that her son learned piano. In 1924, Basie moved to New York City and began touring as a vaudeville piano player before “relocating” (meaning he was accidentally stranded due to a canceled tour) to Kansas City, Missouri where he joined the Bennie Moten band as a staff arranger and substitute pianist. Eventually, he became the head of this band, renamed it Count Basie and his Cherry Blossom Orchestra, and began his career as a band leader. 


Basie at the piano in a 1955 photographic portrait by James J. Kriegsmann


In 1935 Basie formed the nine piece band Count Basie and His Barons of Rhythm. Their performances were broadcast on the radio and he began to receive nationwide recognition. In 1937, he moved to New York and the thirteen-piece band known as the Count Basie Orchestra skyrocketed to fame. They recorded some of their most popular songs such as One O’Clock Jump and Jumpin’ At the Woodside. He married his beloved wife Catherine Morgan on July 13, 1940.


The Count Basie Orchestra plays "One O'Clock Jump" (the band's unofficial theme song) in the 1943 Columbia film, "Reveille with Beverly."


Basie continued to perform with well-known artists such as Billie Holiday, Ella Fitzgerald, Sammy Davis, Jr., Frank Sinatra, and Big Joe Williams, and recorded even more classic hits like April in Paris, Shiny Stockings, and Corner Pocket. Over his long career, Basie won nine Grammy Awards - his first two were presented at the very first ceremony in 1959: one for Best Jazz Instrumental Album and the other for Best Performance by an Orchestra for Dancing (which was a category until 1964). In 1961, Basie performed at the inauguration of President John F. Kennedy.


Basie and his wife Catherine were together for 43 years until her death from a heart attack in 1983. After her death, he took one week off before returning to touring. He died a year later on April 26, 1984 of pancreatic cancer. 


Today, Count Basie is still known as one of the Kings of Swing. His contributions to the big-band swing sound and his fusion of blues and jazz changed the landscape of jazz music. His sound is still celebrated to this day and we hope you’ll join us every week at Jazz Attack to swing out to some of his greatest hits.



If you're home for the night and want to get dancing to some classic Basie tunes, check out this full evening of hits from Lindy Focus 2019




For more on Count Basie, check out the following resources:







 
 
 
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